My art collaboration in Vegas!

I have just discovered that The Cosmopolitan Casino as well as other casino’s in Vegas host artist in residence programmes. Wow! I would give anything for a Vegas residency and will be looking into making a proposal.

I will be writing more about my work in Vegas soon but I wanted to show you the selection of images chosen from my collaboration with photographer Lucy Hamblin who photographed me in The Neon Boneyard. Here in Vegas I wanted to explore a universal fantasy love affair with the glitz of the place and yet at the same time it’s resonance with failed desire for fame and ever lasting beauty. I worked with Lucy to capture a persona as off duty disenchanted show girl. We wanted to react to the site which hosts rusting Vegas signs waiting for restoration. They date from the late 1930s through the early 90s and represent both the glamour of Vegas past and hint at a melancholy of the unavoidable ageing on the surface of their rusting patinas.

These photographs will make up part of my current project, where I am exploring the captivating charms, the eccentric glamour and exuberant celebrations of communal unselfconsciousness of my small, British home town.  The town elders call it Trowbridge but we, its provincial princess and princesses, are much more aspirational.  We aspire to be more glamorous like our American sister, Vegas.  It’s our mission and the means by which we meet our need to belong and feel part of a vibrant community.

I’m really excited to be working on this project with curator, Sarah Williams, to create a documentary artwork for exhibition at the Jerwood Visual Arts Project Space in 2013. The JVA Project Space provides an exhibition and development opportunities to emerging artists.

My work with the JVA is a development of a theme that has inspired and fascinated me since I began my Masters degree course at the Slade in London in (2004).  I am fascinated by everyday group dynamics, rites of passage and celebration and this project is an exploration of how the people in a small town come together and interact to gain a sense of belonging and meet their need to belong and be happy.

I’m very excited about returning to Vegas again and just yesterday became aware of the artist Jenny Holzer’s work in Caesars Palace Casino, Vegas from her series truisms. Just a small pic I’m afraid but a good one!


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My first night out in Vegas!

My first night out in Vegas. O.M.G it’s NUTS here I love it!!! I have just had my photograph taken with a dwarf-Elvis and an obese-Elvis for the record the dwarf-Elvis asked for his picture with ME as they are all digging on my accent. Oh and I have already been called CUTE by a group of show girls who liked my bow. I like my new ‘friends’ haha.

As an artist in love with all rituals or experiences that bring people together, Fremont street offers a bizarre temporary community housed under the biggest television screen in the wo. It’s fascinating for me here as there is an amazing demographic, the mix of people here is really eclectic. I don’t know what I was expecting…but it’s such an odd but kind of lovely combination of this mix of glam glitz and shows and then people just walking around uber casual!

People pushing prams, the elderly kids having their photos with scantily clad women, some clearly wasted odd bods, young lovers all in this funny neon nuts place. Flashing lights twinkle, strip bars tease and Fremont Street. I’ve just head out this evening and just watched a light show on the biggest TV screen in the world all across the ceiling above me. Brilliant. I have seen a Frank Sinatra impersonator and walked around the casinos as I glug a CUP OF TEA! Ha! I’m sorry but I was gagging for a tea.

Earlier today I took a water slide THROUGH AN AQUARIUM OF SHARKS in my hotel and I met a casually racist Sean Connery and friends on the sun loungers on the top deck where you enter the water slide – well ok Sean was an impersonator obvs. Anyway they all did a shout out to Trow-Vegas so I was very happy! Oh and some guy has already said to me to camera “What happens in Vegas STAYS in Vegas” Genius! Also a very sweet American couple have offered to take me under their wing tonight and invited me to dinner – I had a lovely chat with them but politely declined I’m enjoying myself too much here. Right I’m off back out for MORE I’m taking my big camera out to take some pics.

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Hello Vegas!

I’m in Vegas! Writing to ya from my Golden Nugget hotel. Andy picked me up and drove me to airport. I felt so sleep deprived made a little better by a large hot chocolate on our service stop.Things were pretty swishy from the airport onwards…BA upgraded me to world traveller and so I got this massive chair with all these moves! And I got seared sea bass for lunch – ha! There were only 2 massive chairs in my little row – amaze. I sat next to Graham a business consultant, who was stopping off in Vegas for the night before he flies to Texas for a meeting. We chatted about my Trow-Vegas documentary and he told me about other small British towns that the locals use Vegas in their names!…

Brilliant! I feel a UK road trip coming on to visit these hehe. We chatted about what the meaning or aspiration behind British towns taking on American names. Whether locals in  these small towns aspire to their more glamorous U.S cities, just as provincial glamour can be more obvious and in your face – or whether it was an ironic defeatest statement of never being able to match their glam! Anyway i gave him one of my business cards and in doing so split my drink all over my chair so he had to give me his blanket to sit on. He also put our cab ride on his business expenses which was cool. When we left the airport I got papped. Literally! I got really excited and thought it was like when you have your photograph taken at a theme park on a roller-coaster ride and then they sell it to you after. Graham explained that wasn’t the case, they were trying to photograph the boxer behind us who was on the run for man slaughter and he’s clocked him in business class on our flight! So…I have just woken up after about 12 hours sleep in my hotel feeling weird! But hey with my bows and business cards this Vegas baby is professionally ON IT. Ha! Well now I’m pretty much just gonna go and check out the shark pool!

Do you want to stay connected with meeeee? :-) You can ‘like’ me on facebook or join me on twitter

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Leaving Trow-Vegas

Las Vegas a happy mistake?

Ever since I discovered in the small print of my travel documents that I airlines I spoke to on phone using my mum’s air miles had booked me to fly to Vegas I feel it had been calling me for a while! The British Airways service rep had typed into their systems LAS rather than LAX which is the correct code for L.A where I intended to meet a friend…Vegas had started it’s pull on me, you know like some big blingy flashy E.T spaceship wanting to scoop up it’s missing prize alien…ME! It had sent out a few subtle messages but now it meant business and I was ready to go home. I really wanted to go to Vegas but my friend Lucy in L.A wasn’t as keen so it was kinda shelved. But when Lucy and I discovered the mistake we decided fuck it I’m going anyway…by my self! Lucy will meet me later.

The Show Pony shudders with nerves:

Since my independent move I have felt a bit stressed leading up to my Vegas adventure. There hasn’t really been anyone around to run all the standard travel things by and I have a special way of over complicating and thinking everything! Though I am at least an imaginative nutter – I have found myself a hotel with a water slide through a shark tank at The Golden Nugget Casino and hotel! Nice. Very good and subtle jaunt for one! However feeling super nervy at my own independence and insania and anxious I was never going to come out the other side of my packing void I bravely pushed ahead with my show pony procedure. It’s terribly important one finds in times of stress grooming must not be wavered. Grooming is pivatol to presenting myself to the real Vegas with the best of Trow-Vegas’s town’s tinselly skillz. I planned with my local seamstress bezzers for diamonte customizing of American flag shorts, ‘Meg In USA’ several new hair bows made had my eyebrows tidied in Peppers in Knees, I went shopping in the big New Look and went to ‘Hollywood Nails’ for my manicure and pedicure. I picked the brightest shade of red/pink, sat anxiously in the robotic massage chair and started to have a nose bleed. How old skool! A nervous nose bleed!? How old am I 13?

Advice from the Mosley Mafia

Before setting off to Vegas I got various advice. Dad took me for a tea cake in The Shires, down Boswells Café. Best spot for Trow-Vegas people watching. Anyway he said “Meg…this is the Big Apple we’re talking about, no messing about!” He then paused (sensible enough sentiment I thought) but he broke the moment by adding “do you know what I MEAN” with some weird half del boy arm and hand gesture which he then started to embellish the movement into some kind of robotic arm movement and added sound effects and several more arm sweeps. I did loud laughs! Then there was Mum. She called me over to her house, took me into her office….and said “take a seat” looking concerned she said “Darling can I ask you something now you’re calm” Crikey what was she going to say? “Darling….you’re not going to have a spray tan are you, oh please don’t they’re awful, why do you do it darling why?” Whaaaaaaaaat! Yes I am – and why the drama? “Oh they are horrible, they just look so bad I hate them I really do” Hahahaha. Bizarre concern! Anyway they’re lush and you knows it Mum! Then there was my sister Sally “End of the day moo as long as you got your make-up, your wallet, your passport and some dioralyte you’re basically good to go anywhere!” Haha! Love Sally some may have substituted out make up but not our Sals! A dodgy bowel is no excuse for full maky-i-arge!

Entering the VOID (of packing)

Anyway none of this helped my real doom…packing! I approach packing like a conceptual art project. There is the sketch-booking stage, where I try and work out the concept of the trip, this can go on for months. Ideas are thrown around imagined, talked about, images browsed, archived. Then lists start to happen over a couple of weeks. These are then honed into other lists, which then get typed and then categorized and then even this gets highlighted and annotated and it just goes on and on. It’s awful I hate it. My mind goes on a bender….it’s toooo big meg still toooo big we must say my inner insane head aliens we must break this down further before we understand, we must understand before we pack! Lies …lies I tell thee, you just don’t like packing. But they always win. Feeling defeated I start the vile piles process.This is when I convince myself to approach the suitcase by themed piles all around it…oh god the piles era can go on for days. Then there’s editing of piles and god knows actually putting stuff inside the case is always put off until the very end. I’m a packing commitment-phobe! Horrendous. Basically I’ve had 1 and a half hours sleep last night as was packing until 3.30am got up at 5am and carried on packing and got picked up at 8am by Andy. And the night before a similar thing so I have been ‘packing’ solidly for 3 days! Ridiculous. I’m exhausted. It’s only a 23kg bag and 1 hand luggage lol!

This is me with just one and a half hours sleep post packing insanity about to  be picked up by Andy and taken to the airport! Here’s a little video of me leaving in style!? Vegas here I come here I go wooooooaaaah

 

 

 

Do you want to stay connected with meeeee? :-) You can ‘like’ me on facebook or join me on twitter

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Viva Trow-Vegas!

You, Me, Us and the Trow-Vegas Project

In this, my latest project, I am exploring the captivating charms, the eccentric glamour and exuberant celebrations of communal unselfconsciousness of a small, British town.  The town elders call it Trowbridge but we, its provincial princess and princesses, are much more aspirational.  We aspire to be more glamorous than our American sister, Vegas.  It’s our mission and the means by which we meet our need to belong and feel part of a vibrant community.

I’m really excited to be working with curator, Sarah Williams, to create a documentary artwork for exhibition at the Jerwood Visual Arts Project Space in 2013.  This work is a development of a theme that has inspired and fascinated me since I began my Masters degree course at the Slade in London in (2004).  I am fascinated by everyday group dynamics, rites of passage and celebration and this project is an exploration of how the people in a small town come together and interact to gain a sense of belonging and meet their need to belong and be happy.

By way of comparison, it will also involve a trip to that slightly more famous sister, Las Vegas, to research and record ways in which American divas and princesses behave, think and feel.  It will be a truly ethnographic artwork that will include a documentary video, a music video and, of course, a lot partying. WORD!

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I have won a grant to develop experimental work with the JVA Project Space in London!

I’m really excited to be working with curator Sarah Williams who has chosen me as one of three artists she’ll work with at the Jerwood Visual Arts Project Space in 2013.  ”JVA Project Space provides exhibition and development opportunities to emerging artists; offering a small grant to develop new experimental work, which is then exhibited within the unique environment of Café 171 at Jerwood Space, adjacent to the main gallery spaces.”

You can follow @JerwoodSpace on twitter. The other 2 artists who will be feature in the Jerwood Project space in 2013 are: Johann Arens and Matthew Johnstone

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Really excited to share with you my new show reel!

I make my art from what I have and what I am: a provincial princess from a family of flamboyant matriarchs who celebrate absolutely everything because that’s how we deal with life.

I like to make art about mainstream celebrations that go into overdrive and popular pleasures that are usually excluded from academic art circles and performance studies.

I play with this tension and explore the everyday like a mesmerising wonder to understand the spiritual, the mundane, the impulse to form groups that is within us all. I find my art everywhere and in everyone. Here’s some of my best bits!

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My work on American television Growing Bolder TV

Episode 303:  Still having fun

Here is the link to the full tv episode online. My bit is about 15mins 30secs into the programme! http://tv.growingbolder.com/episodes/still-having-fun/1328/

“So how are you growing bolder? It’s our favourite questions to ask because the answers are always fascinating. Take Meg Mosley she’s a kid still in her twenties but she couldn’t wait to tell us how she’s growing bolder all the way from her home in England. She’s a blogger and an artist but her true passion comes from loving her grandmother. She started by taking incredible photos of her grandmother and now the two of them create works of art and they do their best to show the world the power of intergenerational friendships. That’s not about age it’s about attitude. Way da go Meg!” (Growing Bolder TV 2012)

 

How are you Growing Bolder Article
http://tv.growingbolder.com/how-are-you-growing-bolder/

“Meg Mosley may not be your first idea of Growing Bolder — this English blogger is in her 20s and works as a professional artist. But her true passion is celebrating intergenerational relationships, and she doesn’t have to look far for inspiration. Meg’s muse is her grandmother, and the two take part in elaborate photo shoots, create art and do their best to prove that it’s not about age; it’s about attitude.” (Growing Bolder TV 2012)

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“Help the aged, one time they were just like you.”

“Help the aged,
one time they were just like you,
drinking, smoking cigs and sniffing glue.

Help the aged, don’t just put them in a home,
can’t have much fun in there all on their own.”

(Pulp Lyrics “Help The Aged”)

Well ok…ok… I don’t think most elderly residents in our care homes used to sniff glue back in the day!…as the lovely Jarvis Coker sings in his enigmatic indie classic “Help The Aged.” BUT I do think there’s something to be said for remembering older people were once younger people too! I think you’d be surprised how similar we all still are no matter what age we are…we all still want some fun and we all still need to be needed.

But it’s a fact that many of us will one day move into older people’s accommodation and homes for the elderly can be dreary places. Many residents have lost loved ones and lost confidence and any sense of being part of a meaningful community.

The homes I have visited as part of the project ‘Adopt an Elderly Care Home’ were wonderful – the staff there were involved and caring and the facilities were great. However, frankly, I was overwhelmed - many residents slumped asleep, unfamiliar smells and a feeling of the loss that many of the residents had experienced.

As an artist who takes inspiration from my Glamorous Granny, my intergenerational work is particularly poignant for me as I remember as a child my Granny converted her Beauty School into a residential home which she ran in Surrey. She cared for older people in the way she requires help herself today. She always made everything she did magically lovely and glamorous for her residents. I mean, her care home like everything she has ever done was rather jazzy and posh but the interesting thing is despite that extra care and glamour she brought to the home, it was me and my siblings that made the residents really light up. It seems the young and old have a great affinity for one another. I was only 12 years old but I made friends with the residents. 90 year old Ruby was wonderful and had the most amazing life but had outlived her son and her husband so was very sad …she showed me all her old photos in a trunk and taught me knitting. Another favourite was Brian, an ex colonel in the war, we became pen pals and I still have one of his war medals he gave me. They had the best stories to tell. I was fascinated – I still love a good story! A keen artist even then I was fascinated by their faces and I used to ask draw them! As a child I was always very sensitive to the passing of time, I used to keep EVERYTHING and carefully date and archive things! I later cunningly developed this habit into my practice as a documentary artist. You can see in my sketch of Brian that I have not only signed and dated it, but then written my own date of birth underneath and to further clarify the the portal of time to which I sketched Brian I have also added my date of birth!

If you are interested in my approach to art with younger and older people, please read on for my blog about the brilliant intergenerational project work I am involved with today!

My 21st Century Intergenerational Explorations

Let me tell you about my current intergenerational project: Adopt an Elderly Care Home scheme was started by my mother, Jenny Mosley, and one of her senior consultants, Sarah Bentley has been piloting the project locally between a Wiltshire residential home and a local Primary school.

In these times of cost-cutting and austerity, what can we do to bring a little sunshine and vibrancy into such gloomy surroundings?  This is my diary of a project that is designed to achieve exactly that.

There are a number of key points that make this project particularly interesting.

  • It is interactive. Mum puts it like this, ‘It’s about learning from each other, activities shared, not just going into the care homes and singing at them.’
  • It is intergenerational. The care home is paired with a local school and pupils visit regularly to enjoy structured time with the residents.
  • It is respectful and empowering. The residents and pupils choose topics that interest them both and share thoughts, recollections and opinions etc.
  • Each meeting is structured and time-constrained. This ensures both generations feel secure because their time together passes in a foreseeable way.
  • The structure used is Jenny’s Circle Time model which has five distinct sections – meeting up, warming up, opening up, cheering up and calming down.

The project had been running for five weeks when I visited and this is my diary of what I witnessed.

First Impressions

The home I visited was wonderful – the staff were involved and caring and the facilities were great. However, frankly, I was overwhelmed - many residents slumped asleep, unfamiliar smells and a feeling of the loss that many of the residents had experienced.

Having come directly from the office I felt out of place and my usual attempts at banter fell a little flat. I was being given some sympathetic looks from other residents as I had chosen a rather renowned character to break the ice with. One resident told me … “don’t mind her…she’s a shouter” I found out why later! But, I tell you what, the moment the children came into the room it all changed. It was as if they put everything in context and were so sweet, funny and up for a laugh. It was amazing to watch. The key was eye-contact. When the older people looked into the eyes of the youngsters, their faces would light up with a contact that was open and honest, vulnerable but powerfully in the moment. This made me open up too and it felt wonderful.

The Circle Meeting

Our first activity was ‘Meeting Up’ – an ice-breaker which can be a game or a bit of fun. This group all sang a song together and it went like this:

Roll out the barrel, we’ll have a barrel of fun
Roll out the barrel, we’ve got the blues on the run
Zing boom barrel, ring out a song of good cheer
Now’s the time to roll the barrel, for the gang’s all here.”

Next we did a round and each person was able to share news about their lives. The chosen topic for the  meeting was food and during the next stage (called ‘Opening Up’) this was explored  through smells, shared memories of wartime rationing, discussion of skills and practices that are no longer used like butter making which meant that we were tapping into the memories, songs, games and ideas of the older people themselves. When it was time for the ‘Cheer Up’ stage, we chose to play a balloon and parachute game and then on to ‘Calm Down’ where we thanked each other for being there and sang ‘Roll out the barrel’ again before bursting into ‘We’ll meet again’ and some other songs they’d learned together.

Reflections

It was amazing how residents were invigorated by a parachute game and a balloon…I suppose sometimes it really is true, actions speak louder than words! My earlier chats had done nothing to lighten one resident’s grumpy mood but when a brightly coloured balloon hurtles toward you its impossible to resist whatever your age! Even “the shouter” got involved!

Yes, there were sad moments too and touching ones. Residents who were sleeping, not involved, would suddenly sit up from their chairs and start singing when we put the music on and slump back over again later.

But the older people just said the most wonderful things “We look forward to seeing you children every week – when are you coming back?” After the Circle Time the whole atmosphere had changed.  I felt really at home and we started to have a giggle. They asked me about my work and they got out of me that I was just as pleased to get out of the office as the children were out of school! Then we discussed boozing and sneaking out to the pub and how they met their partners. They were lively and communicative – woken up, you could say.

As it was the final session Sarah had the lovely idea to give everyone a glow stick bracelet …at one point I thought we looked like the most unlikely rave group! The children helped put them on the residents and we all wore one and cards and gifts were given out from residents to children and children to residents. As I got home I felt all of a sudden very sad about it all, my bracelet in the daylight wasn’t looking as bright as the light wore off…so I took it off and placed on bedside cabinet but when I woke in the middle of the night, I wondered what this orb of light was glowing in the darkness. A little reminder to keep the light alive in our senior citizens!

To find out more about Jenny Mosley’s Adopt An Elderly Care Home visit www.circle-time.co.uk or call 01225 767157

Adopting an old people’s home could soon be a top priority for schools in the UK. Jenny Mosley has started a new and inspirational movement to help bring the generations together to share, educate, empathise and reminisce. Intergenerational work is not a new venture for Jenny, having in the past taken theatre groups of young people into older people’s homes and day care centres, brought older people into the playgrounds to teach traditional games and worked with women from the W.I. and secondary pupils.” Centre for intergenerational practice: (http://www.centreforip.org.uk/news/adopt-an-old-peoples-home)”

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Meg in the Media

...I am very proud & excited to be a contributing artist in the book NOTES on a return by Unbound – a Live Art and Performance Publishers

Unbound online shop logo

“The book NOTES on a return was released in 2011 it accompanies a late-2009 exhibition at the Laing Art Gallery in Newcastle. This publication further examines ideas of memory, archive and the documentation of ephemeral practices and queries the reasons and conditions for remembering within the discourses of institution and art history.” Contributors include: Meg Mosley, Guy Bret, Anne Bean,Foreward by Amelia Jones and an Afterward by Lois Keidan.

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‘NOTES on a return’ Art Monthly July-August 09/ No.328

Notes on a Return – 10 artists reinstate the energy of the late 1980s at the Laing with a major new exhibition! In 1985, 1986 and 1987, five internationally acclaimed artists Anne Bean, Rose English,Mona Hatoum,Bruce McLean and Nigel Rolfe made live artworks at the Laing Art Gallery. Not only preserving the past, the Laing Art Gallery has also tracked down the residual fragments that have survived in the memories of the artists and the witnesses of the original artworks. The programme culminates with five newly commissioned works by five international artists from a younger generation: Sam Belinfante (UK), Sofia Greff (Germany), Graham Hudson (UK), Meg Mosley (UK) and Viola Yesiltac (USA/Germany) who respond to the audio recollections and archival materials.

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…I really loved working with Emi Spinner on this interview. After it was published I was invited back to the AHRC Bristol to give a talk to their staff about my work as a practicing artist since my MA – it was really rewarding …

‘The art of belonging’ ISSUE 12 Summer 2009 of the Arts and Humanities Research Council’s Podium magazine.

“Visual artist and photographer Meg Mosley believes in art that is accessible and inclusive. Funding from the AHRC helped her realise her art work and she’s now busy inspiring others to enjoy art, writes Emi Spinner” To view a high quality PDF of this article click here: Podium Magazine Article to view the whole Podium magazine (issue 12) click here

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…My family and friends loved this one! A photographer came to do a shoot with me in my studio space at The Slade and I appear in a double page spread in The Independent -Whoop!…

‘A leg-up for arts funding: Meg’s lucky break’ Thursday, 14 April 2005 The Independent Postgraduate magazine.

“Meg Mosley, now 24, was right. Her obvious passion and clear thinking, along with a first-class honours degree in fine art from Middlesex University, contributed to a successful application and she is now studying full time at the Slade.” This article can also be found online click here

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